Kinky Stardust (Acoustic Guitar Pickup): Unterschied zwischen den Versionen
Amir (Diskussion | Beiträge) First draft |
Amir (Diskussion | Beiträge) Keine Bearbeitungszusammenfassung |
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of the corpus directly (e.g contact mic) or picking up "airborne" sonics (e.g. classic microphone). Both have their pros and cons: e.g a contact mic has a very low susceptibility to background | of the corpus directly (e.g contact mic) or picking up "airborne" sonics (e.g. classic microphone). Both have their pros and cons: e.g a contact mic has a very low susceptibility to background | ||
noise whereas a classic microphone is more true to the sound of the guitar. That ment i needed a third option - a mix of both techniques. I investigated different designs for acoustic | noise whereas a classic microphone is more true to the sound of the guitar. That ment i needed a third option - a mix of both techniques. I investigated different designs for acoustic | ||
emissions sensors (AES) and decided to modify one of the approaches i found: | emissions sensors (AES) and decided to modify one of the approaches i found: | ||
<gallery> | |||
Datei:AE-Transducer.gif|Acoustic Emission Transducer | |||
</gallery> | |||
===== The Approach ===== | ===== The Approach ===== |