Die Gstettensaga: Unterschied zwischen den Versionen

It is not without reason that Menand begins in the past tense. Historical drama became tragedy, not only in the history of humanity, where universal emancipation has been postponed indefinitely, but also because it has given rise to a world in which one is more likely to imagine the end of the world than existence in another. Year for year, new catastrophe films continue to fill the movie theaters around the world. They tell of the downfall of the rule of law, which is replaced by the rule of brute force, the power of the strongest. In the Western, by contrast, the hero uses his strength to help law triumph in the figure of the sheriff – this is the history of bourgeois progress. "The Rise of Echsenfriedl" shows that today the Western can only be imagined in a post-catastrophe world. Progress becomes the mere reestablishment of the "good old days". The film confronts all catastrophe-addicted zombie fans with the reproach that if they keep on this way, they really will have to live in Niederpröll.

[http://www.imdb.com/title/tt3296276/ IMDb]<br />

[http://log.metalab.at/post/409541365/Drehort-Dolomitwerk-f-r-die-Tanzszene-der Metalab blog entry about shooting]