Kinky Stardust (Acoustic Guitar Pickup): Unterschied zwischen den Versionen
Amir (Diskussion | Beiträge) Keine Bearbeitungszusammenfassung |
Amir (Diskussion | Beiträge) |
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and were mostly very crude (gluing a piezo transducer directly to guitar and drilling holes in my guitar - seriously?). Well, after ruling out picking the sound up from the strings directly (which btw. only works with western guitars) i saw two options: Picking up vibrations | and were mostly very crude (gluing a piezo transducer directly to guitar and drilling holes in my guitar - seriously?). Well, after ruling out picking the sound up from the strings directly (which btw. only works with western guitars) i saw two options: Picking up vibrations | ||
of the corpus directly (e.g contact mic) or picking up "airborne" sonics (e.g. classic microphone). Both have their pros and cons: e.g a contact mic has a very low susceptibility to background | of the corpus directly (e.g contact mic) or picking up "airborne" sonics (e.g. classic microphone). Both have their pros and cons: e.g a contact mic has a very low susceptibility to background | ||
noise whereas a classic microphone is more true to the sound of the guitar. That ment i needed a third option - a mix of both techniques. I | noise whereas a classic microphone is more true to the sound of the guitar. That ment i needed a third option - a mix of both techniques. I figured acoustic emissions sensors (AES) would be a good starting point and I investigated different designs and decided to modify one of the approaches i found: | ||
emissions sensors (AES) and decided to modify one of the approaches i found: | |||
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Datei:AE-Transducer.gif|Acoustic Emission Transducer | Datei:AE-Transducer.gif|Acoustic Emission Transducer |